33-43, then in the MGG I (1949-1950) article by Friedrich Blume on J. Bach’s authorship was first decisively disputed in the middle third of the 20 th century beginning in 1934 as found in an article by Werner Danckert appearing in the Beiträge zur Bachkritik I, Kassel, 1934, pp. 729) affirmed this assignation while expressing only slight reservations. Using source A as a basis for the publication of this work in the BG, Wilhelm Rust, nevertheless, firmly asserted its authorship as being by J.S. Only as late as the 19 th century is the definite attribution of this work limited to J. The sources from the 18 th century attribute this work either to the family name Bach or to C.P.E. This composition is also found listed in Breitkopf’s catalogue: Catalogo de’ Soli, Duetti, Trii…che si trovano in manoscritto nella officinal musica di Breitkopf in Lipsia.
From the estate of Johannes Brahms.Ĭopy of the score by Anton Werner (c. Parts from the 2 nd half of the 18 th century. Bach.ī.: Society of the Friends of Music in Vienna XI 36271. Bach.īWV 1020 Sonata in G minor for Violin (Flute) and Obbligato HarpsichordĬopy of the score by an unknown copyist dating from the 2 nd half of the 18 th century and coming from the estate of Johann Gottfried Schicht (1753-1823). Report on the chamber music compositions formerly attributed to J. Sonata for violin (flute) & keyboard in G minor, BWV 1020
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